You see everything as formless and you forget
that this is a sign of life.
—Hilma af Klimt
Nearness is owed me
There is a sea of red
Lights suspended fifteen feet
Above the tarmac
Something bad
Is beating about the color
Taken, as in carried
Away. Taken in transgression
The left face of the form
And the right, running
Into one another like
Stress waves in solids
The wrong hills and valleys
Like when you can’t read
The harm in my tone
I can pull you
Across the tarmac
In my fury, fervor
I am roving over the lots
Metal stakes in the frozen
Ground, tufts of brown grass
Ice pilings, I follow the pattern
Large wings unbending
Go up with a start
+
I’m not going to make it
I promise
A spotlight streaming close
Is like that of a medical theater
Brief apparitions, before the whole
Body warps and turns, my hands
Hold the paper, marking heat
I listen for the break
The gravity, and the scare
What is suspended
Is not mine. If I am waiting
I have exhausted myself
If I am tracking back
To my body, I have already failed
If I am making excuses
For my absence
I am not ready to respond
Truthfully to my own weakness
Doctor, I am reaching. I am
Not mean. I have not pushed yet
+
I woke up angry
In my dream
At the shore, her blood
Washed around like a weak tide
A sine/cosine of my own
Interference. I am
The cold forming the ice
My body runs this
Show like the unseen edge
Of an electromagnetic field
The luminescent cast at my wrist
Was a thin screen I read through
I wanted to beat and course
Where I stood, the pressure
In my face was a ten
Even miles away
That raggedy mass hung together
I was trying to leave
While my friend on the lakefront
Was dying of pancreatic cancer
I’d starve at the light field, waiting
For a question. Creatinine 3.1
Creatinine 1.9 Certain 2.4
Certain 4.3. A god
Of monsters, minus one
Point. To lose composure
Stranded on a darkening
Shore. This is a kind of loving
+
Before going back to my life
On the Cape, I sat at night
And I sat in the morning
Watching her breathe
In J 8-5, while I was away
A strange case
Try again. Telephone
Rounds. A mass
Confusion of lights
I couldn’t speak on
I let my neck roll
My head back
I let my fingers pull
Arms and torso together
You are in a kind of pain
That wakes you
The pain response
Is the oldest landscape
The limbic home, an arrow
Plumbs this image
Into the ground. When you die
In a medical trial
It can be what is known
As an adverse advent
How many previous
Now with a home in the sky
I believe in the body
Having to be pricked
Having to let her blood
Run into tubes. Pull the needle
Now, like Leonardo at the morgue
Pulling back the flesh